i enjoy how they didnt over sexualize their prince costumes. like esp with jasmine. she couldve totally been in aladdin’s vest, but nope. fully clothed. thanks.
Y’all know when Mulan is sitting in the rain and watches her parents silhouette disappear as the candle is blown out and then her eyes squint in determination and the music that starts to play and you see her go into the family temple and light a match and bow in respect and then sneak into her parents room and switch the scroll for her hair brooch and then the way her reflection is shown as she pulls the sword and cuts her hair?? It’s literally more iconic than any marvel movie
Y’all know that there is heavy symbolism in that scene to show that Mulan is the spirit of the Great Stone Dragon and that’s why Mushu wasn’t able to awaken it?
im sorry What!! i never knew this! my life feels fuller!!! ahhhh
Mulan sits in the rain underneath the statue of the Great Stone Dragon (who is looking down on her), and suddenly decides on a course of action. She looks up, resolved to go to war in place of her father and runs into the temple where she lights the match and beseeches protection for her family. The stone she bows to and that we see lit up by lightening strike is that of the dragon, whose eyes are looking out after her, lit from underneath by the candles. The scene transitions to the divider in the house that also has an icon of the dragon. where she replaces her hair comb with the summons. Then we see the sword hilt, also the dragon, and as she draws the blade we see her face replace it. She ties up her hair, then as she opens the wardrobe, the handles are also the dragon. After donning the armor, the view shows her facing us, with the hilt of the sword (the face of the dragon) in front of her face, where she then turns the sword to reveal her face, and sheaths it. As she leaves, we flash back to the temple, and the eyes of the dragon flash as her grandmother wakes up.
The Great Stone Dragon resides within her. She is the protector of the family.
After this explanation, the scene where Mushu cannot wake up the stone dragon makes so much more sense. I appreciate the symbolism so much more. I noticed the dragon but didn’t notice she was constantly juxtaposed with the dragon!
Canon accepted.
Bringing this back for all the teachers doing symbolism!
ENTJ: Just Can’t Wait To Be King (The Lion King) ENTP: Part Of Your World (The Little Mermaid) INTJ: Do You Want To Build A Snowman (Frozen) INTP: I Won’t Say I’m In Love (Hercules) ESFJ: Once Upon A Dream (Sleeping Beauty) ESFP: Touch The Sky (Brave) ISFJ: Tale As Old As Time (Beauty And the Beast) ISFP: Reflection (Mulan) ENFJ: Be Our Guest (Beauty And The Beast) ENFP: Friend Like Me (Aladdin) INFJ: Colors Of The Wind (Pocahontas) INFP: I’ve Got A Dream (Tangled) ESTJ: I’m Almost There (Princess And The Frog) ESTP: Hakuna Matata (The Lion King) ISTJ: Dig A Little Deeper (Princess And The Frog) ISTP: He’s A Tramp (Lady And The Tramp)
Ok so I have a story. I worked Fantasyland (Dumbo) at Magic Kingdom. We had a girl transfer from Pirates of the Caribbean. And she told me the most amazing story.
So Pirates is down (shocking) And this particular boat is stopped at the first big scene, Where Barbosa is on the ship yelling for Jack Sparrow.
Anyway the boat has been stopped for about 15 minutes at this point, and there’s a couple sitting alone in the back. So the guy decides that nothing gets him in a better mood than the smell of water that hasn’t been changed in roughly 50 years, and convinces his girlfriend to blow him.
Now this girl is in the booth, along with the coordinator, watching this go down. Literally. There’s not much they can do to stop it at this point, other than notify security. Then another problem arises. The guy finishes, and the girl makes the motion to spit.
In. The. Fucking. Water.
Now if that load is released into the water, thats an automatic biohazard, and the ride is shut down for weeks. The water is removed, the ride path is scrubbed, along with the ride vehicles, and then new water is brought in. Costing the company thousands of dollara and pissed off tourists. The worst combination on this earth.
Panicking at this predicament, the coordinator grabs the mic in the control booth and says:
“Spitting is for quitters.”
This echoes over the bitching of guests and 50 year old audio of pirates commiting various crimes.
The look on this woman’s face was priceless. She gazes up, as if Walt himself commanded her from the grave, and swallows.
I’m told the ride started 5 minutes later and the couple ran out from the exit queue as fast as they could.
And this is why you dont fuck at Disney. Because cast members will call you out and it will be the highlight of our day.
and it’s… fine. The prince is great! They’re in love, he’s very sweet and passionate, writing her poems and songs, giving her anything she wants. The time she spends with her husband is great.
but cinderella is not royalty, her family was noble but she never spent time in those circles. She’s used to being busy, she’s used to cooking and cleaning and mending. There are hours, days, where she has nothing to do.
time passes. cinderella learns the fancy lady type of needlework. Learns to ride horses. Reads a lot.
as is normal for royalty at the time, they travel and are hosted by nobles or stay at castles owned by the king. But even that variety begins to become routine. The prince is distracted, there’s a lot of young women living and working on their route. Daughters of nobles. Younger and prettier with soft hands that have never done a day’s work.
cinderella needs something to spend her time on, and there’s a part of her thinking a couple-only trip might get her husband’s attention again, so she suggests making an old castle that’s fallen into disrepair their “project.” It was built in the time when castles were made to be defensible, so it’s quite sturdy, but it’s overgrown and secluded. The prince doesn’t know why his family stopped living there either. A hundred years ago it was their summer home.
so they go. And they work. And for a while it’s great! But when they leave for winter cinderella’s husband forgets her once again. cinderella resolves to make the best of her life and stop worrying about a man who has gotten what he wanted from her.
summer comes again and this time cinderella goes alone to the old castle (minus staff, of course, but cinderella manages to narrow it down to only repair workers and one maid). She can cook and clean and mend again, but this time it’s her own choice. She is happy.
this summer they make more progress on repairs. The workers say that most of it can be salvaged, except one tower that’s been completely overgrown with vines and briars. It will have to come down, eventually, but for now it can be safely ignored.
cinderella has more free time now. The old castle has a surprisingly untouched library, though time and moisture have damaged many of the books. Behind a collection of greek poetry cinderella finds an old diary. Very old, in fact, at least a hundred years. It’s rude to read a diary, of course, but whoever wrote this is long dead, and cinderella is bored, so…
from the description of activities the author looks to have been nobility. Maybe even a princess. She’s sensitive and sweet and smarter than she seems to realize. If circumstances had been different cinderella wishes they could have been friends…
after the summer ends cinderella returns to her husband. He’s spending a lot of time with a young musician and cinderella can’t even work up the energy to care. She does some research about the castle and the family she’s married into, finds out the name of the princess who wrote the diary.
aurora. Cursed and forgotten. She died young, they say, in a plague that also took out the castle staff and her own parents. Luckily they avoided a succession crisis, but not so lucky for the dead.
time passes. cinderella goes to the old castle again and again, even out of season. Soon enough all that remains to be done is the old tower, and the builders say they should tear it down and fill the gaps before it gets cold.
one night cinderella is restless. The princess from the diary had been fond of that tower, and cinderella is far more attached to a dead woman than she ought to be. She gets out of bed, reads by candlelight, and finally goes to walk the empty halls.
she finds herself going to the tower. Pushing past the vines that don’t seem so troublesome really. They almost part before her. The stairs are perfectly intact, the door at the top is already cracked open. As if she should have done this years ago, cinderella steps into aurora’s bedroom.
she’s as beautiful as the stories say. And sitting under her hands, crossed across her stomach as it rises and falls, is a book of greek poetry.
years later, people will tell the story of cinderella as a cautionary one. Don’t seek above your station. Don’t marry for prestige. After all, a girl who grew up as a servant once married the crown prince, and disappeared after only three years. She ran away, they say, she couldn’t handle the lifestyle.
two old women who run a bookshop together agree with the lesson. Marrying for the wrong reasons never ends well. It’s best to wait for someone you have things in common with, shared interests.
or, failing that, the more linguistic of the two says, wait a decade or ten for someone to fall in love with you from your diary.
her partner laughs and hits her with the socks she is mending.
Audrey is so underrated. How can you not love her?
I have a love-hate relationship with this movie. On one hand it’s got awesome PoC characters who defy racial and gender stereotypes. It also discusses colonialism and how people tend to destroy indigenous cultures to obtain land and resources (which is why the crew ultimately decided a to pretend they never found Atlantis because they don’t want anyone else to try and destroy the culture). But on the other hand, the whole plot is that Atlantis needs a white, cishet man to save it from extinction and for some reason he understand their culture and language better than they do.
hEY FUCK YOU OKAY MILO WAS THE ANTITHESIS OF WHITE SAVIOR HE WAS A NERDY USELESS LITTLE SHIT WHO WAS COWARDLY UNTIL OTHERS FORCED HIM TO ACT HIS ONLY STRENGTHS WERE HIS MIND AND HIS ETHICS HE WAS THE PERFECT DUDE FOR THE JOB AND THE REASON HE KNEW BETTER WAS BECAUSE HE RIGOROUSLY STUDIED TEXTS THAT HAD BEEN LOST OR DESTROYED IN ATLANTIS BECAUSE KIDA’S FATHER INTENTIONALLY LET HIS KINGDOM LAPSE INTO DECAY AND OBSCURITY
DO NOT PULL THAT WHITE SAVIOUR BULLSHIT BECAUSE MILO WAS A DAMN GOOD DUDE
I’ve been trying to tell people this for years. Also, what differentiates Milo’s experience from the white savior complex is his expectation and his attitude. When looking for Atlantis, the last thing Milo expects to find are people. He says the most they thought that they would find are carvings and pottery. And he would have been happy with just that.
And even when he finds the Atlanteans, he treats the culture and people with the utmost respect (peek the scene where the crew has their audience with the king). He never tries to interfere in the people’s way of life nor change them. He’s merely an observer fascinated with the culture/people and just wants to know more about them.
In most movies, the white savior comes into the situation with an attitude of superiority and only through his interactions with the native people (and a lot of times a beautiful native woman) is he humbled and then eventually brought in as an honorary member of the people. Milo never asks for thanks or wants to make a name for himself. He does what he does because he loves it and it’s a way to keep his grandfather’s legacy alive.
Yeah. Milo was a damn good dude.
And another thing about Milo that’s made evidenced by this scene in particular? He’s got respect for women. He doesn’t ask why it’s a GIRL mechanic on the expedition, only why it’s a TEENAGER. Doesn’t question Kida’s leadership and knowledge when he meets her. (I can’t think of more examples off the top of my head but I’m sure they’re there).
Milo is a wonderful Disney protagonist, and this movie deserves the underground love it receives.